Recreating a military frame
The 1970s were a transformative period for the U.S, marked by technological advancements. Among these innovations was the introduction of the S9 mi...
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Journal
Peripheral vision happens away from the centre of your gaze. Outside the ‘point of fixation’ as optometrists would have it. The fuzzy edges.
Discover how far these fuzzy edges stretch in The Spectacle. Interviews with curious folk, design and architecture that inspires and bespoke spectacle design.
London and a history of spectacle making
London is a city steeped in the history of spectacle design. From the earliest pair of spectacles ever discovered – the 15th century ‘Trig Lane’ bo...
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A very Cubitts cake
At Cubitts, we hold ourselves to lofty principles of design simplicity. But who doesn’t break the rules on their birthday?
A decade of spectacle obsession
A decade ago, we started with a very loose idea of building a spectacles company for people who want to wear spectacles. Ten years in, my beard is ...
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An interview with David Usborne
Cubitts' first exhibition, The Emotional Utilitarian, is composed of objects collected by David Usborne, a magpie for the beautifully functional. W...
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A blind date with Bespoke+
The first of two bespoke frames for mystery customers, designed purely in response to their character.
Cubitts x Edinburgh College of Art
The jewellery students at Edinburgh College of Art have taken on that most noble art of spectacle design, with a brief to create a frame inspired b...
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Architectural Incongruities
London’s streets are home to many strange conjunctions of old and new. Every corner turned might lead to fresh juxtaposition. The city folding in u...
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An interview with Michael Challenger
Reflections on a lifetime of creating art from geometry, connecting engines and modernism, music and Carl Jung. From the eighth edition of The Spec...
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Spectacles fit for a pharaoh
A century ago to this day, Howard Carter opened the tomb of Tutenkhamun. When the dust cleared he saw a trove of ‘wonderful things’. A pair of gold...
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REDUX origins
Spectacle making is not sustainable.
The latest in our REDUX initiative has been produced to address the mounting problem of acetate wastage....
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The optical industry and sizing: An interview with Tom Broughton
Spectacles are everywhere. Over 65% of people in the UK wear them. There’s thousands of manufacturers, making them easy to purchase, and simple to ...
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Cubitts for Soho Music Month
A series of one-off frames to celebrate Soho Music Month, made in Cubitts’ workshop. The musicians were selected for their incredible (and o...
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Elton John: A tribute
As Elton John once said, ‘what the hell is wrong with expressing yourself’. We couldn’t agree more. In tribute to the man himself, two frames inspi...
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A triptych for summer
Summer 2022 marked a century since the Semana de Arte Moderna (Modern Art Week) in São Paulo, the official introduction of Modernism into Brazil. T...
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Colour Makes People Happy
Simon March is a famous shopkeeper who creates and sells colour. One dark and gloomy day, we sat down to make a colour together for Cubitts. The r...
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